The Art & History of Film

From: $99.00 / month for 5 months

Grades:  9th–12th

Class:  Thu 1:00–2:00 p.m. ET

Dates:  Aug 24, 2026–May 7, 2027

Prepaid:  $799 (Full-year) $449 (2nd semester)

Instructor: Melissa Amos

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Description

Film Syllabus

Ever wonder why Pixar movies make us cry? Or how Hitchcock keeps us on the edge of our seats? Or what Star Wars and Barbie have in common? Find out as we go behind the scenes to uncover the magic of the movies.

In this high school-level introduction to film class, students will gain a deeper understanding of how films work as they begin to examine cinema through a critical lens. Through weekly discussions, journaling, and creative assignments, students will explore how elements such as narrative structure, mise-en-scène, cinematography, editing, sound design, visual effects, and music shape a film and influence its audience.

Students will study the history of cinema, from early silent films to contemporary blockbusters. They will identify the styles of different genres (such as screwball comedy, western, and film noir) and learn how major film movements, studios, and directors have influenced contemporary filmmakers. Films will be studied from a cultural perspective, examining the historical trends and events that influenced them and the ways in which those films impacted society.

Course Objectives

Through this course, students will:

  • Understand the key elements of film and their roles in conveying meaning and creating impact
  • Identify literary concepts in film, such as motifs, symbols, metaphors, themes, archetypes, allusions, and points of view
  • Analyze the 3-act narrative structure of film as well as nonlinear storytelling styles
  • Understand the filmmaking process from pre-production through production and post-production, as well as the various jobs required at each stage
  • Identify key film movements and their characteristics, such as Hollywood’s Golden Age, German Expressionism, and the French New Wave
  • Examine films as a reflection of the time and place that created them, evaluating how historical contexts and social concerns influenced film production
  • Understand the impact of inventions and changes in motion picture technology and techniques, including how Hollywood’s studio system developed and has changed with the advent of home video, streaming, and indie filmmaking
  • Understand auteur theory and its application in viewing the work of individual directors

Course Structure

Students will typically watch one film each week outside of class. Please make sure that you have access to the film before the scheduled viewing date.

Assignments will include a mix of journaling and discussion to develop students’ analytical skills, as well as creative assignments in which they’ll learn to think like a writer, director, editor, or designer. Creative assignments include writing a short scene, designing shots and storyboards, and practicing techniques to add sound to a scene.

Each semester, students will work on a creative presentation – a mock Oscar ceremony and a marketing campaign where they’ll strategize the best way to advertise an upcoming film.

Who should enroll?

High school students in grades 9–12 who enjoy watching and discussing film. Previous film experience is not required.

Technology Requirements

  • High-speed, broadband Internet
  • Headset and microphone (for live sessions)
  • Streaming video capabilities to watch recorded lectures

Evaluation and Feedback

Since this class focuses on developing students’ appreciation of film and critical thinking skills, I believe growth is as important as grades. Students will receive written feedback on all creative and writing assignments.

One of the most effective ways to develop analytical skills is through discussion. Students are encouraged to discuss not only the films watched in class but also those watched at home. Questions to consider for each film will be provided and will serve as the basis for our in-class discussion.

Any type of art is subjective. Not everyone likes the same films or shares the same opinion. Students are expected to be respectful and supportive of their classmates at all times.

Communication

I’m always available for questions from both students and parents. I can be contacted through Canvas or via email at mamos[at]aimacademy.online.

Required Texts

There is no textbook for this class.

Tentative Film List (subject to change; however, they will be finalized by May)

Note: While we won’t be watching them during the course, I will reference The Wizard of OzStar Wars, and The Hunger Games in detail (with spoilers) as we study narrative structure and The Hero’s Journey. Students should watch or be familiar with these films before the course begins.

First Semester:

  1. Hugo (2011) Directed by Martin Scorsese
  2. Flow (2024) Directed by Gints Zilbalodis
  3. Barbie (2023) Directed by Greta Gerwig
  4. Edward Scissorhands (1990) Directed by Tim Burton
  5. Citizen Kane (1941) Directed by Orson Welles
  6. Life is Beautiful (1997) Directed by Roberto Benigni
  7. Hero (2002) Directed by Zhang Yimou
  8. Psycho (1960) Directed by Alfred Hitchcock
  9. The Thin Blue Line (1988) Directed by Errol Morris
  10. Godzilla Minus One (2023) Directed by Takashi Yamazaki
  11. Gravity (2013) Directed by Alfonso Cuarón
  12. The Social Network (2010) Directed by David Fincher

Second Semester

  1. The Navigator (1925) Directed by Buster Keaton
  2. Metropolis (1927) Directed by Fritz Lang
  3. Singin’ in the Rain (1952) Directed by Stanley Donen
  4. It Happened One Night (1934 Directed by Frank Capra
  5. Snow White and the Seven Dwarfs (1938) Produced by Walt Disney
  6. Casablanca (1942) Directed by Michael Curtiz
  7. The Great Dictator (1940) Directed by Charlie Chaplin
  8. Sunset Boulevard (1950) Directed by Billy Wilder
  9. The Searchers (1956) Directed by John Ford
  10. Invasion of the Body Snatchers (1956) Directed by Don Siegel
  11. Harold and Maude (1971) Directed by Hal Ashby
  12. Jaws (1975) Directed by Steven Spielberg
  13. Ferris Bueller’s Day Off (1986) — Directed by John Hughes
  14. Edge of Tomorrow (2014) Directed by Doug Liman

** Note for Parents**

Please be aware that this is a high school film class; some films may contain sensitive material, including language, violence, smoking, and drinking. With the exception of Alfred Hitchcock’s Psycho (which was originally released unrated), all films are rated PG and PG-13.

Parental guides for ratings and content in all films are available on Common Sense Media and the Internet Movie Database (IMDb) at www.imdb.com. Please review those guides if you have any concerns about the selected films.

I am happy to discuss film choices and any potentially sensitive content if there are concerns. If needed, up to 2 films can be replaced with an alternate film for individual students. Class discussion, however, will still focus on the scheduled film that the rest of the class has watched. An alternate assignment will be provided in lieu of discussion.

Students will need to watch each week’s film on their own outside of class and be prepared to discuss during the next class. All films are available online, either via streaming services or for purchase or rental via Amazon or Apple TV. Films may also be available through the library or via the Kanopy app with your library card.

Since films tend to move across streaming platforms, I will maintain a list of where each film is available. Please make sure that you have access to the film before the scheduled viewing date.

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Instructor Bio

Melissa Amos

Melissa has an MFA in Film from Loyola Marymount University and is an award-winning copywriter for film and television, She has worked on marketing campaigns for productions such as What We Do in the Shadows, Alice in Wonderland, Watchmen, and Zootopia. Prior to that she was a reader/story analyst for various production companies as well as the Sundance Institute’s Director Labs.  Contact: mamos[at]aimacademy.online
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